the wallpaper imitating blue and white tiles

Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time. The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Contrasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range. As the dawn grew clearer, we saw through the gap in the wall the body of a Martian, standing sentinel, I suppose, over the still glowing cylinder. At the sight of that we crawled as circumspectly as possible out of the twilight of the kitchen into the darkness of the scullery. Abruptly the right interpretation dawned upon my mind. "The fifth cylinder," I whispered, "the fifth shot from Mars, has struck this house and buried us under the ruins!" For a time the curate was silent, and then he whispered: "God have mercy upon us!" I heard him presently whimpering to himself. Save for that sound we lay quite still in the scullery; I for my part scarce dared breathe, and sat with my eyes fixed on the faint light of the kitchen door. I could just see the curate's face, a dim, oval shape, and his collar and cuffs.